Mathilde ter Heijne
Guest Projects | Sunbury House, 1 Andrews Road E8 4QL
Private View: 9 Jan 2016, 6-9pm
Secret Agent is a group exhibition composed from the viewpoint of feminist authorship in contemporary art practices. The artists in the exhibition actively challenge the institutional structure of history and patriarchal authority – and imagine alternative narratives, often through the specificity of lens-based media. Acts of image-making, archiving, or guerrilla information tactics enable visibility and challenge relationships between author and authority. Each artist utilises language and the literary in dialogue with image-making to harness the intertextual, as archival photographs and stock footage are transformed through repetition, re-staging and re-imagining. Representation of western history through both image and text, with the inherent parallels between historical and photographic truth – and the legacy of radical image/text practice in the 1970s and 1980s – are central to the development of this exhibition.
The enabling of voice(s) of authorship whereby subjectivity is activated in order to challenge the ideology of individualism and the singularity of the art historical canon and history itself, is what Janet Staiger describes as the ‘technique of the self’. This consideration of the self in relation to, and together with others, draws away from the photographic as exacerbating difference or the implicated position of a directed camera, and generates an argument for collaboration and collectivity.
The exhibition title, Secret Agent, is inspired by artist Oreet Ashery and academic Catherine Grant, who describe feminist cultural production as an ‘invisible agent’ and generative informant for ‘different kinds of subjectivity and agency under patriarchy’. Grant suggests broadening notions of what constitutes primary texts, and exploring more rigorous methods of interactional, inter-subjective, or interdisciplinary approaches to critical analysis, also for artists’ to broaden auteurial imaging.
Sarah Beddington is a British artist and filmmaker now based in London, whose work investigates the intersection between the historical and the contemporary, often in relation to journeys and migration, traces in the landscape, the power of the collective voice and walking as a means of affirming presence.
Her work has been shown in many museums, galleries and film festivals including: City States, Liverpool Biennale; Les Rencontres Internationales, Centre Pompidou, Paris and Reina Sofia Museum, Madrid; Eastern Standards: Western Artists in China, MASS MoCA, USA; FIDMarseille International Film Festival; LOOP film and video festival, Angels Gallery, Barcelona; Vanishing Point, Wexner Center for the Arts, Columbus, Ohio. She has recently been shortlisted for the Paul Hamlyn Foundation award in the UK as well as the Artangel Open Commission, and she received a Bloomberg LP special commission in 2008. She had a research residency in 2014 at the Henry Moore Institute in Leeds and previous artistic residencies include the International Studio and Curatorial Program (ISCP, 2002 – 2003) and Cité des Arts in Paris (2009 – 2010). She is currently working on a feature-length documentary film that uses birds and bird migration to look at stories of human migration in the Middle East.Her work is represented in a number of public and private collections including Arts Council England.
Beth Collar currently lives and works in Bristol, UK. She studied Sculpture at the Royal College of Art. She works in performance, drawing, video and installation. Recent projects and performances have been presented at The Rijksakademie, Amsterdam, NL; Raven Row, London, 2015; The Serpentine Gallery, London, 2015; David Roberts Art Foundation, London, 2014; Hayward Gallery, London, 2014; Modern Art Oxford, Oxford, 2014; and Flat Time House, London, 2014. Recent exhibitions include Fig.2 at ICA, London, 2015; The Cipher and the Frame, Cubitt, London, 2015; Anatomy of Anxieties at Edouard Malingue Gallery, Hong Kong, 2014; SOME CHTHONIC SWAMP EXPERIENCE at Tintype, London, 2014; Edition One residency at Detroit, Bristol 2013/14; From script to reading to exhibition to performance to print, Rowing, London, 2013; ANCIENT BRITAIN at The Woodmill GP, London, 2012; and The London Open, Whitechapel Gallery, 2012.
Aleksandra Domanović’s work is concerned with the circulation and reception of images and information, particularly as they shift meaning and change register, traversing different contexts and historical circumstances. Her works create strange taxonomies and manic associative chains that poke and prod at copyright laws, unpack the geopolitical implications of web domains, or explore, for instance, the model of exhibitions (the co-creation of the collaborative exhibition platform vvork.com). Domanović has been awarded the 2014/15 ars viva Prize. The ars viva exhibition series presents a selection of works by the three award-winners through 2015 at the Hamburger Kunsthalle, Galerie der Gegenwart; Bonner Kunstverein; and Grazer Kunstverein. Domanović’s recent solo exhibitions include: Glasgow International 2014, Gallery of Modern Art, Glasgow, 2014; Aleksandra Domanović, firstsite, Colchester, 2014; The Future Was at Her Fingertips, Tanya Leighton, Berlin 2013; Turbo Sculpture, SPACE, London, 2012; and From yu to me, Kunsthalle Basel, 2012.
Ye Funa is a Chinese artist born in Kunming, now based in Beijing. She studied at Central Academy of Fine Arts, China and Central Saint Martins College of Art, London. Funa’s work has been recognised internationally, and presented as solo exhibitions at MoCA Pavilion, Museum of Contemporary Art, Shanghai; V Art Centre, Shanghai; Galerie Piece Unique, Paris; Dialogue Space, Beijing and in group exhibitions at institutions such as the Chinese Pavilion, La Biennale de Venizia, Italy; Beijing Minsheng Art Museum, Beijing; 798 Art Factory, Beijing; Hubai Museum, Wuhai; Ray Art Center, Shanghai; University of Toronto Art Center, Canada; Yuz Museum, Jakarta; 2nd Asian Art Triennial, Manchester; Arcadia Missa, London; Fondazione Claudio Buziol, Venice, Rotterdam, Taipei; E.J Contemporary Fine Art Museum, Dali and others.
Mathilde ter Heijne is a Dutch artist living and working in Berlin. Primarily working within the media of video, performance, and installation practices, she studied in Maastricht at the Stadsakademie (1988-1992), in Amsterdam at the Rijksakademie van Beeldende Kunsten (1992-1994), and since 2011 has been a professor of Visual Art, Performance, and Installation at Kunsthochschule Kassel. Recent solo exhibitions include Performing Change, Museum für Neue Kunst, Freiburg, 2014; Woman to Go, Deutsche Bank VIP Lounge, frieze Art Fair, London, 2013; Olack!, DEPO, Istanbul, 2010 and Long Live Matriarchy!, Stedelijk Museum Bureau, Amsterdam, 2009.
Aura Satz has performed, exhibited and screened her work nationally and internationally, including Tate Modern, Tate Britain, the Hayward Gallery, Barbican Art Gallery, ICA, the Wellcome Collection, BFI Southbank, Whitechapel Gallery, (London); Experimenta, London Film Festival (London); Oberhausen Short Film Festival (Oberhausen); the Rotterdam Film Festival (Rotterdam); the New York Film Festival (NY); Festival du nouveau cinéma (Montreal); Gallery 44 (Toronto); Gertrude Contemporary (Melbourne); De Appel Art Centre (Amsterdam); and Baltic Centre for Contemporary Art (Gateshead). Recent and upcoming group shows include Mirrorcity at The Hayward Gallery, They Used to Call it the Moon at Baltic (Newcastle); 20th Biennale of Sydney: The Future is already here – it’s just not very evenly distributed (Sydney). Recent and upcoming solo shows include Chromatic Aberration at The Gallery Tyneside Cinema (Newcastle); Eyelids Leaking Light at George Eastman Museum (Rochester NY); The Trembling Line at John Hansard Gallery (Southampton); Her Marks, A Measure at Dallas Contemporary (Texas).
Maud Sulter (1960–2008) was an award-winning artist and writer, curator and gallerist of Ghanain and Scottish heritage who lived and worked in Britain. She exhibited widely and represented Britain at Africus, the Johannesburg Biennale of 1995. Her art has been acquired by numerous private and public collections, including the Scottish Parliament, the Arts Council Collection, the Victoria and Albert Museum, the British Council Collection, the National Galleries of Scotland, and the National Portrait Gallery in London. She wrote several collections of poetry, and edited a pioneering collection of writings and images, Passion: Discourses on Black women’s Creativity’ published by the imprint she founded, Urban Fox Press, ‘a revolutionary new press for the more radical 90s’. She was active in the Black feminist and lesbian movements, often inspired by African-American activists, artists and writers. She founded at gallery a gallery, Rich Women of Zurich in London’s Clerkenwell, and curated nearly 20 exhibitions. A recent retrospective of her work Maud Sulter: Passion was held at Street Level Photoworks, Glasgow in 2015.
Niina Vatanen lives and works in Helsinki, Finland. She studied photography at the University of Art and Design Helsinki, Academy of Fine Arts in Helsinki, and the Department of Fine Arts at the University of Barcelona. Vatanen often uses simple, playful interventions to point our gaze directly at the photographic surface, revealing the act of seeing as an inherent element of photography, and explores perception in the interaction between the visible and the not visible. Her solo exhibitions included Beyond the Visible Surface, C/O Berlin, Berlin, DE; Archive Play, Golden Thread Gallery, Belfast, GB; Cloud Hunter’s Eyes, TR1 Kunstalle, Tampere, FI; in addition to group exhibitions at Athens Photo Festival, Brighton Photo Biennial, Danish National Museum of Photography, Palais des Beaux Arts de Lille, and others.
Guest Projects, founded by Yinka Shonibare MBE, and is located in East London. It provides an autonomous space for exploration and experimentation, and challenging work, which might not be shown otherwise due to commercial pressures in the market.
The exhibition is a touring and evolving composition, which follows from its previous presentation at the Finnish Museum of Photography, Helsinki to examine feminist positions of revisiting histories through lens and time based media.
(play)ground-less: Collaboration, Creativity, Authorship
A day of talks and performance
16 Jan 2016, 2pm
A symposium on collaboration and authorship in partnership with (play)ground-less, Space in Between and Hi Barbara that will include talks and discussions with artists, curators and academics including Dr. Stevphen Sukaitis (University of Essex), followed by an evening performance reflecting on the subject of collaboration.
(play)ground-less is an exhibition of new and collaborative work by Sarah Bayliss, María Angélica Madero, Ninna Bohn Pedersen and Belén Zahera taking place at Space in Between from 4 December 2015 – 16 January 2016.
Most conscious beings lack a permanent physical form
23 Jan 2016 6-9pm
In their assemblage and individual subject matter, this collection of films approaches the subject of disappearing. As a performative act to assume the identity of the other, the banishment on the accusation of being ‘too real’, or the disappearance of a web domain amongst political shifts, each film articulates the difficulties of producers who ‘speak to transform reality, and no longer to preserve it as an image’. The title of the screening is borrowed from a text written by Aleksandra Domanović.
Artists include Marie Yates, Pilvi Takala, Mikhail Karikis, Aleksandra Domanović, Oreet Ashery,
Wiki-edit-a-thon: Exhibition Histories
23 Jan 2016, all day
Join us and take part in a day of creating and editing histories online. We will be focusing on neglected exhibition and institutional histories, ensuring that there is greater access to information about radical, collaborative curatorial and visual art practices via the web.
All events are free and open to all. Please RSVP to [email protected] for further details.
Exhibition Assistants: Ninna Miranda, Ksenia Belash, Herman Rahman, Coralie Malissard, Flavia Dannunzio, Celin Bodin, Sze Wong, Laura Thompson, Megan Nixon, Dorothy Spencer
Lady Henrietta Gilmour, Plate for Enlarging, 1900. Negative/Gelatin dry plate negative (glass plate). Courtesy of the University of St Andrews Library, [image reference no. LHG-15-4]
Filter Photo Festival
Doug Fogelson Studio
1821 West Hubbard Street Lofts
Artists: László Moholy-Nagy, Tina Modotti, Edward Steichen, Lady Henrietta Gilmour, Brett and Edward Weston, Luo Bonian, Mike Ware, Virna Haffer, Alvin Langdon Coburn, Kenneth Linn, Ralph Ellison, Estelle Wolf, Karl Blossfeldt, Ladislav Postupa, Jaroslav Rossler
See list of artists and their works here
Abstraction Measured presents a selection of moments from the history of abstract photography, a subject that challenges the popular view of photography as an objective representation of reality. These images are the results of experiments investigating how basic elements react with one another and can be read as a departure from the traditional photographic model, moving from the literal to the conceptual. Photograms make up a prominent part of this narrative; a camera-less process where objects are arranged directly onto light-sensitive paper, resulting in a deep stain of the abstracted form.
We are at a moment in time where, more than ever, we rely on images in our dealings with one another. With its mysterious playfulness, abstract photography is becoming ever more poignant. It offers a platform on which we can fabricate our own tales of what is under the lens; this is a discursive space, a landscape of poetry and dream. Here, measurement is near impossible, but in Abstraction Measured we have cast an archaeological eye. In these examples we can recognize the bonding of two foes of human existence – a spiritual yearning and a material reality. At once, these images come from the same world, but individual musings ring loud and clear.
The works chosen are not tied to a specific time or place; they span from the mid-nineteenth century to the turn of the millennium. The images, which have been taken from various archives, now assemble together to spell out a short prose on abstract photography. In doing this, we hope to revive some of the ideas that these artists experimented with, and in turn reflect on the shift that occurs when experimental process and photographic image-making come together.
This exhibition was conceived as a historical counterpart to Abstract, an exhibition of contemporary abstract photography juried by Debra Klomp Ching, Co-Owner and Director of Klompching Gallery.
Curated by Ashley Lumb, Catherine Troiano, and Imogen Prus
Trapping Men for Recruiting Angels: Claude Cahun & Marcel Moore
Fringe! Queer Film and Arts Festival 11th April – 14th April 2013
The current issue includes two extensive features of upcoming Turkish artists Metin Çelik and Meriç Algün Ringborg as well as an overview of six established Turkish artists such as Füsun Onur, Vahap Avşar, Nejad Melih Devrim, Şükran Moral, Azade Köker and Hüseyin Bahri Alptekin.
We also feature interviews with art professionals expert on the Contemporary Turkish Art Scene. One of them with Banu Cennetoğlu, artist and founder of BAS, the other with archivist and professor Zeynep Rona. Moreover the magazine contains sections providing information on Galleries featuring Turkish Contemporary Art and related Exhibitions and Events, together with a special focus on academics from Turkey.
In Europe, we are currently distributing in Berlin at Doyoureadme? and Pro qm, in Düsseldorf at Walter König, in Munich at Haus der Kunst Shop, in Zurich at Kunstgriff, in London at Artwords and bookartbookshop, in Amsterdam at Athenaeum, Boekie Woekie and the Stedelijk Museum Shop. In the US the magazine is available in Austin, TX at Farewell Books, Malvern Books and Tiny Taiga.
EXHIBIST MAGAZINE ISSUE 2 RELEASED IN FEBRUARY 2014
The magazine includes two extensive features of upcoming Turkish artists Candaş Şişman and Fatma Bucak as well as an overview of six established Turkish artists such as Nazif Topçuoğlu, Inci Eviner, Cengiz Çekil, Nil Yalter, Gülsün Karamustafa and Yüksel Arslan.
We also feature interviews with art professionals expert on the Contemporary Turkish Art Scene. One of them with Selen Ansen, art theretician and curator of the current Marc Quinn show at ARTER, the other with the artist John Gerrard, who has an upcoming show at Borusan Contemporary Istanbul in March. Moreover the magazine contains sections providing information on Galleries featuring Turkish Contemporary Art and related Exhibitions and Events, together with a special focus on collectors from Turkey.